Difference between revisions of "Decca-k1849-ar11722"
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− | == Audio file | + | == Audio file == |
− | {{Audio file | + | {{Audio file |
− | |Image= | + | |Image= {{PAGENAME}}.jpg |
|Label= Decca Records | |Label= Decca Records | ||
|Catalogue number= K 1849 | |Catalogue number= K 1849 | ||
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|Matrix= AR 11722-2 | |Matrix= AR 11722-2 | ||
|Released= July 1948 | |Released= July 1948 | ||
− | |Recorded= 4 November 1947<ref name="recdate">[http://www. | + | |Recorded= 4 November 1947<ref name="recdate">[http://www.charm.rhul.ac.uk/index.html AHRC Research Centre for the History and Analysis of Recorded Music]: ''>0536 Pr: Victor Olof - Eng: Kenneth Wilkinson - [ab] 4, [cd] 5, [e] 6 & [f] 8 Nov 1947 - Kingsway Hall - [e] Armando Gramegna (violin) - Turin Symphony Orchestra - [abe] Alberto Erede / [cdf] MarioRossi - [a] BEETHOVEN Leonore Overture No.3 Op.72a AR11722-25 - [b] RAVEL Valses nobles et sentimentales AR11726-29 - [c] MENDELSSOHN Symphony No.4 in A Op.90 “Italian” AR11730-36 - [d] VIVALDI L’Olimpiade RV725 : Andante AR11737 - [e] VIVALDI Concerto in E RV269 Op.8/1 “Spring” AR11738-39 - [f] WEBER Preciosa J279 : Overture AR11746-47 - [a] (Jly48) (A)K1849-50 - [e] unpublished - [cd] (Nov48) AK1974-77; (c50) T5507-10 = LA167 - [f] (Jly49) K2184; (c50) T5344 - [b] (Jly49) AK2207-8; (c50) T5444-45 = LA159 - [c] (Jun50) LX3004, (Apr50) LPS120.'', [http://images.cch.kcl.ac.uk/charm/liv/pubs/DeccaComplete.pdf Link] to the record</ref> |
|Coupling= unknown | |Coupling= unknown | ||
|Cutout date= unknown | |Cutout date= unknown | ||
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|Content= No. 1 | |Content= No. 1 | ||
|Genre= Opera terminology, Overture | |Genre= Opera terminology, Overture | ||
− | |FLAC= [http://pool.publicdomainproject.org/audio/flac/ | + | |FLAC= [http://pool.publicdomainproject.org/audio/flac/decca/decca-k1849-ar11722.flac FLAC] |
|Ogg= none | |Ogg= none | ||
|Pdch= 1 January 1999 | |Pdch= 1 January 1999 |
Latest revision as of 10:24, 17 August 2018
Audio file
Title/Work | Leonora Overture No. 3, Op. 72a | ||||||
Author(s)/Composer(s) | Ludwig van Beethoven (1770-1827) | ||||||
Image(s) |
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High resolution audio (Flac) | FLAC | ||||||
Compressed audio (Ogg Vorbis) | none | ||||||
Genre(s) | Opera terminology, Overture | ||||||
Content | No. 1 | ||||||
Description | Decca K 1849 | ||||||
Lyricist(s) | none | ||||||
Music arranger(s) | none | ||||||
Conductor(s) | Alberto Erede (1909-2001) | ||||||
Performer(s) | Turin Symphony Orchestra | ||||||
Vocal range | instrumental | ||||||
Label | Decca Records | ||||||
Cat. no. | K 1849 | ||||||
Order number | AR 11722 | ||||||
Matrix/StamperID | AR 11722-2 | ||||||
Place of recording | London (United Kingdom) | ||||||
1st recording date | 4 November 1947[1]
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Coupling date | unknown | ||||||
Cutout date | unknown The date "unknown" was not understood. |
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1st release date | July 1948 | ||||||
PD CH | 1 January 1999 | ||||||
PD EU | 1 January 2019 | ||||||
PD USA | 1 January 2019 | ||||||
PD INT | 1 January 2019 |
References
- ↑ AHRC Research Centre for the History and Analysis of Recorded Music: >0536 Pr: Victor Olof - Eng: Kenneth Wilkinson - [ab] 4, [cd] 5, [e] 6 & [f] 8 Nov 1947 - Kingsway Hall - [e] Armando Gramegna (violin) - Turin Symphony Orchestra - [abe] Alberto Erede / [cdf] MarioRossi - [a] BEETHOVEN Leonore Overture No.3 Op.72a AR11722-25 - [b] RAVEL Valses nobles et sentimentales AR11726-29 - [c] MENDELSSOHN Symphony No.4 in A Op.90 “Italian” AR11730-36 - [d] VIVALDI L’Olimpiade RV725 : Andante AR11737 - [e] VIVALDI Concerto in E RV269 Op.8/1 “Spring” AR11738-39 - [f] WEBER Preciosa J279 : Overture AR11746-47 - [a] (Jly48) (A)K1849-50 - [e] unpublished - [cd] (Nov48) AK1974-77; (c50) T5507-10 = LA167 - [f] (Jly49) K2184; (c50) T5344 - [b] (Jly49) AK2207-8; (c50) T5444-45 = LA159 - [c] (Jun50) LX3004, (Apr50) LPS120., Link to the record
Licensing
This work is in the public domain because its copyright has expired. This applies to Switzerland and those countries with a copyright term of life of the author plus 70 years and a copyright term of 70 years after the first publishing date. (Copyright Act, CopA) Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years, Russia has 74 years for some authors. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term.
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