Difference between revisions of "Columbia DX 1297"

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|Catalogue number= DX 1297
 
|Catalogue number= DX 1297
 
|Order number= [[Columbia-dx1297-cax9598|CAX 9598]] / [[Columbia-dx1297-cax9590|CAX 9590]]
 
|Order number= [[Columbia-dx1297-cax9598|CAX 9598]] / [[Columbia-dx1297-cax9590|CAX 9590]]
|Info= CAX 9598-1 / CAX 9590-1
+
|Matrix= CAX 9598-1 / CAX 9590-1
 
|Released= 1947
 
|Released= 1947
 
|Recorded= 15 July 1946 (CAX 9598) / 14 July 1946 (CAX 9590)
 
|Recorded= 15 July 1946 (CAX 9598) / 14 July 1946 (CAX 9590)

Revision as of 18:55, 14 September 2014


Image(s)

Content of the record
  • Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: Norman Walker (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
  • Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
Notes
Medium 78 rpm record (double sided, 12")
Label Columbia Records
Cat. no. DX 1297
Order number CAX 9598 / CAX 9590
Matrix/StamperID CAX 9598-1 / CAX 9590-1
1st release date 1947
Place of recording Liverpool (United Kingdom)
1st recording date 15 July 1946 (CAX 9598) / 14 July 1946 (CAX 9590)
The date "15 July 1946 (CAX 9598) / 14 July 1946 (CAX 9590)" was not understood.
The date "15 July 1946 (CAX 9598) / 14 July 1946 (CAX 9590)" was not understood.
Coupling date 1946
Cutout date unknown
The date "unknown" was not understood.
References Carl Flisch collection; CHARM
Condition