Difference between revisions of "Hmv-db8463-2ba2376"

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Revision as of 16:25, 10 February 2015

Audio file information

Image(s) see below (if available)

Label His Master's voice (HMV)
Cat. no. DB 8463
Order number 2BA 2376
Matrix/StamperID 2BA 2376II
1st release date 1939
1st recording date 1938[1]
Coupling date unknown
Cutout date unknown
Place of recording unknown
Description HMV DB 8452-8464
Author(s)/Composer(s) Giacomo Puccini (1858-1924)
Lyricist(s) Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)
Music arranger(s) none
Conductor(s) Umberto Berrettoni (unknown birth/death date)
Performer(s) Musetta: Tatiana Menotti (1909-2001), Marcello: Afro Poli (1902-1988), Alcindoro/Benoit: Carlo Scattola[2] (1878-1947), Mimì: Licia Albanese (1909-2014), Rodolfo: Beniamino Gigli (1890-1957), Schaunard: Aristide Baracchi (1885-1964), Colline: Duilio Baronti (1904-1998) and members of La Scala Theatre Orchestra and Chorus
Vocal range Tatiana Menotti (soprano), Afro Poli (baritone), Carlo Scattola (basso), Licia Albanese (soprano), Beniamino Gigli (tenore), Aristide Baracchi (baritone) and Duilio Baronti (basso)
Title/Work La bohème (Act 2)
Content No. 12: Quando men vo soletta per la via (When I walk alone in the street)
Genre(s) Opera terminology
FLAC Part 12
Ogg (Vorbis/Theora) Part 12, Part 12 (Commons)
PD CH 1 January 2015
PD EU 1 January 2015
PD USA 1 January 2019
PD INT 1 January 2025

References

  1. ↑ CHARM: dito with: Composer: PUCCINI, Work: La bohème - Quando m'en vo', Performer: Berrettoni, Umberto, Date: 1938-03-01; Catalogue: Gray; CatNum: DB3453; Date: 1938-03-01; Label: La voce del padrone; Conductor: Berrettoni, Umberto; Composer: PUCCINI; Title: La bohème - Quando m'en vo'; Num: 2BA 2376; Conductor: Berrettoni, Umberto, CSV of the record
  2. ↑ Oxford Index: The New Grove Dictionary of Opera, issue Published in print December 1992 - Published online January 2001 - e-ISBN: 9781561592630: Scattola, Carlo (died 1947), bass; (b ?1878; d Milan, 1947). Italian bass. He came to be associated almost entirely with comic parts, but sang in a wider repertory in his early years, as in recorded excerpts from Mefistofele, Faust and Ernani. He first appeared at La Scala in 1922, scoring a notable success in Wolf-Ferrari’s I quatro rusteghi and in the première of Rocca’s Il dibuk. From 1926 to 1935 he appeared, Link to the record


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