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Columbia D 14535 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.11: Io t'ho ghermita (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.12: E Izaghi ed Izanami (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14536 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.13: Perchè con tante cure (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.14: Un bel dì vedremo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14537 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.15: C'è, entrate (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.16: Jamadori ancor le pene ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14538 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.17: Ora a noi, sedete qui (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.18: E questo? E questo? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14539 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.19: Io scendo al piano (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.20: Una nave da guerra (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14540 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.21: Spoglio è l'orto (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.22: Nello shosi or farem ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14541 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.23: Intermezzo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.24: Oh eh! Oh eh! (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14542 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.25: Chi sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.26: Si, tutto in un istante (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14543 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.27: Tu Suzuky ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.28: Il bimbo ove sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 16382 + * Side A: Soprano: Maria Barrientos (1883-1946); Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Dunque io son ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868))) * Side B: Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Largo al factotum ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868)))   +
Columbia DX 1283-1301 +Part 1-38 (Part 1: ?; Part 2: ?; Part 3: ?) '''78 rpm discs:''' [[Columbia DX 1283|DX 1283]] · [[Columbia DX 1284|DX 1284]] · [[Columbia DX 1285|DX 1285]] · [[Columbia DX 1286|DX 1286]] · [[Columbia DX 1287|DX 1287]] · [[Columbia DX 1288|DX 1288]] · [[Columbia DX 1289|DX 1289]]<br>[[Columbia DX 1290|DX 1290]] · [[Columbia DX 1291|DX 1291]] · [[Columbia DX 1292|DX 1292]] · [[Columbia DX 1293|DX 1293]] · [[Columbia DX 1294|DX 1294]] · [[Columbia DX 1295|DX 1295]] · [[Columbia DX 1296|DX 1296]] · [[Columbia DX 1297|DX 1297]]<br>[[Columbia DX 1298|DX 1298]] · [[Columbia DX 1299|DX 1299]] · [[Columbia DX 1300|DX 1300]] · [[Columbia DX 1301|DX 1301]]<br> '''Audio file licenses:''' [[Columbia-dx1283-cax9602|01]] · [[Columbia-dx1283-cax9572|02]] · [[Columbia-dx1284-cax9573|03]] · [[Columbia-dx1284-cax9575|04]] · [[Columbia-dx1285-cax9593|05]] · [[Columbia-dx1285-cax9594|06]] · [[Columbia-dx1286-cax9591|07]] · [[Columbia-dx1286-cax9578|08]] · [[Columbia-dx1287-cax9582|09]] · [[Columbia-dx1287-cax9595|10]] · [[Columbia-dx1288-cax9596|11]] · [[Columbia-dx1288-cax9576|12]] · [[Columbia-dx1289-cax9603|13]] · [[Columbia-dx1289-cax9608|14]] · [[Columbia-dx1290-cax9604|15]]<br>[[Columbia-dx1290-cax9579|16]] · [[Columbia-dx1291-cax9605|17]] · [[Columbia-dx1291-cax9592|18]] · [[Columbia-dx1292-cax9583|19]] · [[Columbia-dx1292-cax9586|20]] · [[Columbia-dx1293-cax9584|21]] · [[Columbia-dx1293-cax9587|22]] · [[Columbia-dx1294-cax9588|23]] · [[Columbia-dx1294-cax9577|24]] · [[Columbia-dx1295-cax9574|25]] · [[Columbia-dx1295-cax9580|26]] · [[Columbia-dx1296-cax9585|27]] · [[Columbia-dx1296-cax9609|28]] · [[Columbia-dx1297-cax9598|29]] · [[Columbia-dx1297-cax9590|30]] · [[Columbia-dx1298-cax9581|31]] · [[Columbia-dx1298-cax9599|32]] · [[Columbia-dx1299-cax9606|33]] · [[Columbia-dx1299-cax9607|34]] · [[Columbia-dx1300-cax9589|35]]<br>[[Columbia-dx1300-cax9597|36]] · [[Columbia-dx1301-cax9600|37]] · [[Columbia-dx1301-cax9601|38]]  +
Columbia DX 1285 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.05: Recit: Thus Saith the Lord; Air: But who may abide (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: Norman Walker (1907-1963): No.06: Air: But who may abide (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1286 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.07: Chorus: And He Shall Purify (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.08: Recit: Behold a virgin shall conceive; Air: O thou that tellest (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1287 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.09: Aria: O thou that tellest (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.10: Recit: For behold, darkness shall cover the earth (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1288 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.11: Air: The people that walked in the darkness (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.12: Chorus: For Unto us a Child is Born (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1289 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.13: Chorus: Pastoral Symphony (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.14: Recit: (a) There were shepherds; (b) And Io, the Angel of the Lord; (c) And suddenly; Chorus: Glory to God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1290 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.15: Air: Rejoice greatly O daughter of Zion (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.16: Recit: Then shall the eyes of the blind; Air: He shall feed his flock (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1291 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.17: Air: He shall feed his flock (Part Two) (Come unto Him) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.18: Chorus: His Yoke is Easy (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1292 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.19: Chorus: Behold the Lamb of God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.20: Air: He was despised (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1293 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.21: Chorus: Surely he hath borne our griefs (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.22: Chorus: And with His Stripes (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1296 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.27: Chorus: Lift up your heads (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.28: Chorus: The Lord gave the word; Air: How Beautiful are the Feet (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1297 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1299 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.33: Air: I Know that my Redeemer Liveth (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.34: Air: I Know that my Redeemer Liveth (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1300 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.36: Recit: Behold, I tell you a mystery; Air: The Trumpet shall sound (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1301 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.37: Chorus: Worthy is the Lamb (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.38: Chorus: Amen (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
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